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Noté. / 5. Basé sur avis des utilisateurs
296
Synchronization, Video and Midi Files
Emagic
Adat Edit
code is usually referred to as SMPTE time code, or just
SMPTE (pronounced: ›simptee‹).
Drop Frame (df)
One technical problem was the frame rate of 29.97 fps. Only
whole frames can be counted, but counting up to the 30th
frame in every second would cause a deviation between the
time code time, and the actual time (a difference of about 5.4
seconds for a typical feature film). So, the following trick was
employed: in every minute 2 frames are left out (›dropped‹),
except in minutes that can be divided by 10.
This may sound complicated, but is actually simpler than ›one leap-year every 4 years
except in years divisible by 100, apart from those also divisible by 400‹!
To describe this method, ›drop‹ or ›df‹ is added after the frame
rate. Because it is used so often with 30 fps, it is more common
to indicate non-usage by adding ›non drop‹, ›nd‹ or ›ndf‹ to avoid
confusion.
The 29.97 nd format is seldom used (just like the pointless 30
df), because the timecode time ›drifts‹ from ›real‹ time.
Frame Rates
The SMPTE frame rate must be set the same for all connected
devices; you can’t have different frame rates in one system.
The diagram below shows the various frame rates with the
respective duration of a frame, or subframe:
Frame Rate [fps] Frame [ms] Bit [+ s] Source
24
41,67 520,8
Film
25
40 500
PAL
29,97 drop
33,37 417,1
-
29,97
33,37 417,1
NTSC color
30 drop
33,33 416,7
-
30
33,33 416,7
NTSC S/W
Note
- Owner’s Manual 1
- Important! 3
- Copyright 3
- Limited Warranty 3
- Licence Agreement 4
- Table of Contents 7
- Adat Edit 10
- Operation 11
- Transport Functions 11
- Arrange Window 12
- Audio Basics 13
- The Mixer 15
- The Event Editor 16
- The Matrix Editor 17
- The Score Editor 17
- The Sample Editor 19
- Reference: Key Commands and 21
- Use of Mouse 21
- Menu Reference 21
- Audio Recording Tips 22
- Features 23
- 1.2 Multitrack Recorder 25
- 1.3 Flexible Input 26
- 1.4 Automatic Notation 26
- 1.5 GM Supported 27
- 1.6 Multimedia 28
- 1.7 Graphical Interface 28
- 1.8 About this Manual 29
- Getting Started 31
- Testing the Midi Connection 32
- Test the Midi Out 32
- File Extensions 33
- Launching Adat Edit 33
- 2.2 Macintosh 34
- Choose Midi Connection 35
- Midi Time Piece 36
- Autoload Song 37
- 2.3 MacOs/Win: Differences 38
- a function that is only on 39
- Keyboard and Mouse 39
- Main Menu Bar 40
- MacOs/Win: Differences 41
- Tutorial 43
- General Midi Tone Generator 44
- Sounds and Midi Channels 45
- Drum Kit 46
- 3.2 Starting the Song 47
- 3.3 Overview 48
- 3.4 Tracks and Sequences 49
- 3.5 Information Track and 50
- Instruments 50
- 3.6 Transport Functions 50
- Start Song Positions 51
- Display Current Song Position 52
- Zoom a Window Excerpt 52
- Cycle Mode 52
- Solo and Selection 53
- Sequence Parameter box to 56
- The Toolbox 57
- Mouse Arrow 57
- Copies of Sequences 58
- Transposition 59
- Your First Recording 60
- Let’s Record! 62
- Play. If the solo in 63
- Saving the Song 64
- 3.7 Event List 65
- 29 1 1 1 66
- 3.8 Matrix Editor 67
- 3.9 Score Editor 69
- Display Parameter Box 70
- Page Edit View 71
- Arrange-Level 72
- Track Filter 73
- 3.10 Audio Tracks 74
- Mixer with Audio Channels 75
- Importing Audio File 76
- Now It's Your Turn … 80
- Audio Tracks 81
- Flip Menus 84
- 4.2 Key Commands 85
- Defining the Key Commands 86
- 4.3 Operating the Windows 87
- Telescope Tools 88
- Scroll Bars 89
- Catch Mode 90
- Link Mode 91
- Local Menus in Adat Edit 91
- Toggle Transport 92
- A†) and, once 93
- 4.4 Selecting Objects 94
- Selecting a Block 95
- S key and rubber 96
- Select all following 97
- Select Inside Locators 97
- 4.5 Working withTools 98
- Tools: Area of Influence 99
- Information Line 100
- Text field for Sequences 101
- Scissors 102
- Glue Tool 102
- Zoom Tool 103
- 4.6 The Edit Menu 104
- 4.7 File Menu 105
- Revert to Saved 106
- Midi Files, pp. 15–285 ff 107
- Preferences Folder 107
- 4.8 Windows Menu 108
- Open Matrix 109
- Open Mixer 109
- Open Key Commands 109
- 4.9 Preferences 110
- Wide Song Position Line 111
- Single Click closes Window 111
- Color Graphics 111
- 4.10 Song Settings 112
- Recording Options 113
- Auto Mute in Cycle Mode 113
- Metronome Settings 114
- Click while Recording 114
- Click while Playing 114
- MIDI Click 114
- Speaker Click 115
- Count-In 115
- MIDI Settings 115
- Transmit MIDI Clock 115
- Bank Select 115
- Control 32 116
- Control 0 116
- Control 32 without MSB 116
- Control 0 without LSB 116
- Ensoniq VFX, SD-1 116
- Song Settings 117
- Version 1.0 – English 117
- Position Slider 120
- Smaller/Larger 120
- Position Indicators 121
- Position Markers (Locators) 121
- Free Memory 122
- Midi-Indicator 123
- Midi Reset 123
- 5.2 Transport Functions 124
- 5.3 Mode-Buttons 125
- S and click on the 126
- Metronome 127
- Setting the Midi Metronome 127
- * on the numeric keypad 128
- 5.4 Bar Ruler 129
- Beginning of Song 130
- End of Song 130
- Song-Position Line 131
- Jump to a Certain Position 131
- Shuttling 131
- Scrub Function 131
- Start and Stop 131
- 5.5 Cycle Mode 132
- 5.6 Autodrop 133
- 5.7 Combining Cycle and 134
- Autodrop 134
- 5.8 Tempo List 135
- 6.2 Tools 138
- 6.3 Tracks 138
- Assigning a Midi Channel 139
- Selecting an Icon 140
- Creating a track 141
- Appending a New Track 141
- Moving a Track 141
- Deleting a Track 141
- ∂ (Windows) or D 142
- 6.4 Arranging Sequences 143
- Setting Locators by Objects 145
- Optimizing Size of Objects 145
- Snap Objects 146
- Remove Overlaps 146
- 6.5 Information Track 147
- 6.6 Sequence Parameters 148
- Quantize 149
- Stopping Loops 150
- Transpose 151
- Velocity 152
- 6.7 Demix by Event Channel 153
- 6.8 Quantization 154
- Fixing the Quantization 155
- No Quantizing 155
- Standard Quantization 156
- Quantization to Odd Tuplets 156
- Swing Quantization 156
- Mixed Quantization 157
- Pre-quantization 157
- 6.9 View 158
- Hide/Show Parameters 159
- White Background 159
- 6.10 Options 160
- Audio Object 164
- Sample Editor 164
- 7.2 Production 165
- Arming Tracks 166
- Stereo Recording 166
- Basic Operation 167
- S-click 168
- 7.3 In General 169
- Data Formats 170
- Stereo File Formats 170
- In General 171
- Working with Audio 173
- S while 174
- Copying Regions 175
- Moving Regions 176
- Changing Borders 177
- Region Parameter Box 177
- Region Anchor 178
- 8.2 Recording 179
- Recording Modes 180
- Pre-Programmed Drop Recording 181
- 8.3 Functions 182
- Digital Mixdown 184
- Bounce to Disk 185
- GM Mixer Program 189
- Controller 190
- 9.3 Audio Objects 191
- Volume Level Control 192
- Solo for Audio Tracks 192
- Pan/Balance 192
- Equalizer (EQ) 193
- Bus Sends 193
- 9.4 Real-Time Effects 194
- Introduction 195
- Overview of Bus Effects 196
- Real-Time Effects 197
- Pre Delay 198
- 9.5 Mixer Automation 199
- 10.3 Standard Tools 202
- 10.4 Event List Display 203
- 10.5 Scrolling the Event List 204
- 10.6 Selecting Events 205
- 10.7 Structure of the List 206
- Num (1. Data Value) 207
- Val (2. Data Value) 207
- Length/Info 207
- 10.8 Event Type Buttons 208
- 10.9 Event Types 209
- Program Change 210
- Pitch Bend 210
- Control Change 211
- Aftertouch 212
- Polyphonic Aftertouch 212
- SysEx Data 212
- 10.10 Editing Events 213
- Changing Values 214
- 10.11 Arrange Level Display 215
- Naming Sequences 216
- 10.12 Quantizing Events 217
- 10.13 Moving and Copying 219
- Segments 219
- Destination 220
- Number of Copies 220
- 10.14 Practicing 221
- Practicing 223
- 11.3 Transport Field and 226
- Parameter Dialog Box 226
- 11.4 Event Display 226
- Event Display 227
- 11.5 Working with Notes 228
- Changing Length of a Note 229
- Deleting Notes 229
- Working With Velocity Value 230
- 12.2 Standard Tools 232
- 12.3 Setting the Display Size 232
- 12.4 Adjusting the Display 233
- Autostyle 234
- Display Quantization 234
- 12.5 Editing Notes 235
- Moving and Transposing 236
- 12.6 Insert Defaults 237
- 12.7 Diatonic Insert 237
- 12.8 Getting Ready to Arrange 238
- 12.9 Parameter Area 238
- 12.10 Switching Levels 239
- Arrange Level 240
- 12.11 Track Filter 241
- 12.12 Inserting Symbols 241
- Insert Symbols 242
- Selecting Symbol Groups 242
- Dynamic Symbols 244
- Note Heads 244
- Articulation 244
- Legato Marks and Accent Marks 244
- Key Signature 244
- Time Signature 245
- Repeat and End Signs 245
- 12.14 Preparing for Printing 246
- Stem Direction 247
- 12.15 Text 249
- Insert Text 250
- Text Position 251
- 12.16 Page Edit View 252
- Printer and Page Edit View 253
- Print Menu 254
- Resolution 254
- Macintosh 255
- 13.3 Display 259
- Overview Functions 260
- Waveform Display 261
- C key while operating the 262
- 13.4 Using the Sample Editor 263
- Selection Commands 264
- The Selection Parameter Field 265
- Maintaining Anchor Position 266
- Edit Commands 267
- 13.5 Managing Files 268
- 13.6 Functions 269
- Change Gain 270
- Fade Out 271
- 1. Before, 2. After 272
- 1 Before, 2 After 273
- Sample Rate Conversion 275
- 13.7 The Digital Factory 276
- Opening the Time Machine 277
- Parameters 277
- Free Transposition 278
- Using the graphic display 279
- Audio Energizer 280
- Opening the Audio Energizer 281
- Synchronization 283
- Video and Midi Files 283
- Internal 284
- Midi Clock 284
- Auto Detect Format of MTC 285
- SMPTE Offset 286
- Nominal Sample Rate 287
- Sync Mode 287
- 14.2 Special Functions 289
- MTC Interpretation 290
- Midi Machine Control (MMC) 291
- 14.3 The Basics 292
- The Basics 293
- Midi Clock / SPP 294
- SMPTE/EBU 295
- Drop Frame (df) 296
- Frame Rates 296
- LTC / VITC 297
- Synchronizers 298
- Audio synchronization 300
- If you have Sync Problems 301
- 14.4 Midi Files 302
- Saving Songs as SMF Format 0 303
- Devices or Computers 304
- Reference: Key 307
- Commands and Use 307
- 15.2 Key Commands 308
- Key Commands 309
- 15.3 Using the Mouse 313
- Edit Menu (Mac Only) 316
- Video (Windows Only) 317
- Help Menu 317
- 16.2 Edit (All Windows) 318
- 16.3 Menus in the Arrange 318
- Menus in the Arrange Window 319
- Functions 321
- Attributes 323
- Beaming… 324
- Syncopation… 324
- Interpretation… 324
- Menus in the Score Editor 325
- Sampling rate 328
- Fragmentation 328
- Defragmentation 329
- Glossary 331
- ALocator Position 332
- ATick Steps 332
- APlay Parameters to 335
- S column of the 337
- Val) in the 338
- Wave Player 339
- . . . . . . . . . . . . 275 349
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