Alesis QS7.1 Manuel d'instructions télécharger pdf (Page 101)

Part 6: Editing Effects

QS7.1/QS8.1 Reference Manual 95

FEEDBACK

Range of Settings: 00 to 99 Page 5 (and Page 8 in Stereo Delay)

This adjusts the Delay Feedback, which is a portion of the delay signal output being

“fed back” into the input. This results in the delay repeating itself. The higher the

feedback value, the more repeats you’ll get. When using the Stereo Delay, page 5 lets

you adjust the feedback level of the left channel, while page 8 lets you adjust the

same for the right channel.

[100] — REVERB

Reverb can be thought of as a great number of distinct echoes, called reflections, that

occur so fast that our ear hears them blurred together as one. In nature, different-sized

spaces give distinctly different sounding reverbs, depending on the size and shape of

the space, and the texture of surfaces that the reflections bounce off of. The various

parameters in the effects processor make it possible to simulate nearly any natural

reverberant space that can be imagined, and a few artificial ones as well.

The Reverb function is used to edit Reverb input levels and other parameters. In all

configurations, page 1 of the Reverb function selects what the reverb is “hearing” (i.e.,

where the input of the reverb is coming from). The source can come directly from the

Effect bus, the output of other effects in the chain before it, or a mix of several of them.

Example: In Configuration #1 on Send 1, page 1 of the Reverb function (shown above)

allows you to select the first of two sources to be routed to the reverb’s input. You can

choose either the output of the Delay or the output of the Pitch effect as Input 1. In

page 2, you can choose the second input for the Reverb, which can be the dry Send 1

signal, the Delay input or the Pitch output. You can then adjust a balance between

these on page 3 and set an overall input level on page 4.

A Note regarding Configuration #2 and the Reverb function

The parameters and pages in the Reverb function are identical in every Configuration

but #2. Configuration #2 is different in that it only has 11 pages of parameters for

each of its two Reverbs as opposed to the 14 pages of parameters available to the

Reverbs in the other Configurations. The differences are due to the smaller number

of input choices the Reverbs have in this Configuration. So what you’ll find here is

something akin to what was described regarding the various Mono Delay

parameters: the page numbers are going to be off by 3 for the parameters of the

Reverbs in Configuration #2. So if you’re looking up the Diffusion parameter in the

manual and it says it’s on Page 14, you should expect to find it on page 11 for the

Reverbs in Configuration #2.

1 2 ... 96 97 98 99 100 101 102 103 104 105 106 ... 187 188

Pas de commentaire

Alesis QS7.1 Manuel d'instructions Page 101