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Part 2: Overview
24 QS7.1/QS8.1 Reference Manual
PROGRAMS, MIXES, AND BANKS
Your QS comes with 1,140 built-in Programs and Mixes. At any time you can also
add hundreds more just by putting QCards or RAMcards into the [PCMCIA
EXPANSION CARD] slots.
That’s a lot of different sounds!
In order to easily find the ones you need, you will need to know how they are
arranged. Starting with…
WHAT’S A PROGRAM?
A QS Program is a set of parameters which (A) create a specific sound and (B) can
be recalled instantly at the touch of a button. There are lots of parameters, which is
why many thousands of cool Programs are currently available from Alesis and
third-party sources. And, of course, you can always edit these parameters yourself
to create Programs that are uniquely your own.
There are 640 internal Programs, divided into 5 Banks of 128 Programs each (more
about Banks in a moment). To get instant access to more Banks, simply insert an
Alesis QCard into one or both of the [PCMCIA EXPANSION CARD] slots. You can
also add Banks using RAMcards, assuming Program data is stored on them.
Each Program consists of from 1 to 4 different Sounds which can be combined and
processed in many different ways: layered on top of one another, for example, or
split up to cover different sections of the keyboard, or set to play (or not play)
depending on how hard you strike a key.
The number of Sounds being used by a Program has a direct effect on your QS’s
polyphony, because each Sound takes one Voice to play. If your current Program uses
only one Sound, you’ll be able to play 64 simultaneous notes. By contrast, a Program
using two Sounds will run out of Voices twice as fast, limiting you to 32 simultaneous
notes. And a Program that uses four Sounds will limit you to 16 notes of polyphony.
WHAT’S A MIX?
A Mix is a combination of Programs selected from the available Banks. Most Mixes
have only two or three Programs in them, but you can put together as many as 16 if
you want. You can also arrange them in a number of useful ways, creating layered
combinations, split combinations, and more.
There are 500 internal Mixes, arranged 100 per Bank. More can be accessed at any
time using expansion cards, as mentioned above for Programs.
For those of you who do MIDI sequencing, one of the most useful Mixes will be #00 in
the User Bank. This is the multi-timbral Mix. It lets you assign different Programs
- INTRODUCTION 2
- HOW TO USE THIS MANUAL 2
- MANUAL CONVENTIONS 3
- Unpacking and Inspection 4
- CONTENTS 5
- Table of Contents 8
- SETUP & CONNECTIONS 9
- CONNECTIONS 10
- AND CARE 11
- BASIC MIDI HOOKUP 12
- DIRECT COMPUTER LINK 15
- PCS AND COMPATIBLES RUNNING 16
- MACINTOSH 16
- PEDAL AND FOOTSWITCH HOOKUP 17
- 48 KHZ IN 18
- OVERVIEW 20
- THE EDIT MODE BUTTONS 21
- THE DISPLAY 22
- THE PLAY MODE BUTTONS 23
- THE SELECTION BUTTONS 23
- PROGRAMS, MIXES, AND BANKS 25
- Overview: Part 2 26
- WHAT'S A BANK? 27
- THE PERFORMANCE CONTROLS 28
- PCMCIA EXPANSION CARDS 30
- FIRST SESSION 31
- Part 3: First Session 32
- PLAYING PROGRAMS 33
- PLAYING MIXES 34
- FINDING OUT WHAT PROGRAMS ARE 35
- IN THE MIX YOU ARE PLAYING 35
- TRANSPOSING THE KEYBOARD 36
- PERFORMANCE TRANSPOSITION 37
- BASIC OPERATION 38
- Part 4: Basic Operation 39
- COPYING EXISTING PROGRAMS AND 40
- USER BANK 40
- …OR TO A NEW LOCATION ON A 40
- CARD BANK 40
- STORING ALTERED MIXES TO THE 41
- USER BANK (OR TO A CARD) 41
- COMPARE MODE 42
- PLAYING SEQUENCES FROM A CARD 43
- THE GLOBAL SETTINGS 44
- (AND HOW TO CHANGE THEM) 44
- EDITING GLOBAL PARAMETERS 45
- PAGE 1 — MASTER PITCH 45
- PAGE 2 — MASTER TUNE 46
- PAGE 4 — KEYBOARD VELOCITY 46
- PAGE 5 — TRANSPOSE 47
- PAGE 6 — KEYBOARD MODE 47
- PAGE 7 — GENERAL MIDI 48
- PAGE 8 — CONTROLLER A # 48
- PAGE 9 — CONTROLLER B # 48
- Controller 013 49
- PAGE 10 — CONTROLLER C # 50
- PAGE 11 — CONTROLLER D # 50
- PAGE 12 — PEDAL 1 CONTROL # 50
- PAGE 13 — PEDAL 2 CONTROL # 50
- PAGE 14 — MIDI PROGRAM SELECT 51
- PAGE 15 — INPUT/OUTPUT MODE 51
- PAGE 16 — MIDI OUT MODE 52
- PAGE 18 — CONTROLLER A-D MODE 52
- Basic Operation: Part 4 54
- WHAT WE’LL COVER HERE 55
- THE POWER OF MIX MODE 55
- USING AN EXTERNAL SEQUENCER 56
- SELECTING THE KEYBOARD MODE 57
- MIDI PrgSl: OFF 58
- MIDI PrgSl: ON 58
- MIDI MixSl: CH 1-16 59
- MAKING IT HAPPEN 61
- Part 5: MIDI 66
- EDITING EFFECTS 67
- ENTERING EFFECTS EDIT MODE 69
- FROM PROGRAM MODE 69
- FROM MIX MODE 69
- SELECTING FROM AMONG THE 70
- TO ANOTHER 73
- 6) Press [STORE] 74
- EFFECTS, PROGRAMS, AND MIXES 75
- CONFIGURATION #1: 1 REVERB 76
- HOW “1 REVERB” IS ARRANGED 77
- CONFIGURATION #2: 2 REVERBS 78
- HOW “2 REVERBS” IS ARRANGED 79
- CONFIGURATION #4: 1 REVERB+EQ 81
- ROUTING SOUNDS OR PROGRAMS 83
- THROUGH THE EFFECTS ONLY 83
- SETTING EFFECT SEND LEVELS 84
- IF THE SEND INPUTS CLIP… 84
- Basic Operation on page 35 85
- LO EQ FREQUENCY 86
- LO EQ GAIN 86
- HI EQ FREQUENCY 86
- HI EQ GAIN 86
- [60] — MOD 87
- MOD1 DESTINATION 88
- MOD1 LEVEL 89
- MOD2 SOURCE 89
- MOD2 DESTINATION 89
- MOD2 LEVEL 89
- ONFIGURATIONS 3 AND 5 ONLY) 90
- HORN LEVEL 92
- [80] — PITCH 93
- RESONATOR TUNING 98
- RESONATOR DECAY 98
- [90] — DELAY 99
- Part 6: Editing Effects 100
- [100] — REVERB 101
- INPUT BALANCE 102
- REVERB INPUT LEVEL (SEND 1) 103
- REVERB PARAMETERS 104
- PRE-DELAY TIME 105
- PRE-DELAY MIX 105
- INPUT FILTER 105
- LOW DECAY/ HIGH DECAY 106
- DIFFUSION 106
- Diffusion parameter 107
- OVERDRIVE TYPE 108
- OVERDRIVE THRESHOLD 108
- OVERDRIVE BRIGHTNESS 108
- OVERDRIVE BALANCE 108
- [120] — EFFECT MIX 109
- REVERB LEVEL 110
- LEZLIE LEVEL 110
- OVERDRIVE LEVEL 110
- EDITING MIXES 111
- MIX EDIT MODE 112
- NDERSTANDING THE EDIT BUFFERS 113
- EVEL SETTING FOR EACH PROGRAM 114
- KEYBOARD/MIDI 116
- CONTROLLERS 117
- SETTING THE RANGE 118
- NAMING A MIX 118
- EDITING PROGRAMS 119
- HOW THE QS GENERATES SOUND 120
- PROGRAM SOUND LAYERS 120
- QS SIGNAL FLOW 121
- THE VOICE 122
- LOWPASS FILTER 122
- ABOUT MODULATION 123
- ABOUT SIGNAL PROCESSING 124
- DRUM MODE 125
- Part 8: Editing Programs 126
- STORING YOUR EDITED PROGRAMS 127
- PROGRAM EDIT FUNCTIONS 128
- Sound Enable Page 1 129
- Sound Type Page 2 129
- Sound Page 4 130
- Editing Programs: Part 8 131
- QS7.1/QS8.1 Reference Manual 131
- Velocity (-99 to +99) Page 3 137
- AMP/RANGE 139
- QS8.1 Keyboard Range 141
- Program Sound Range 141
- PITCH ENVELOPE 143
- Delay (00 to 99, Hold) Page 5 144
- Level (00 to 99) Page 10 145
- FILTER ENVELOPE 146
- Delay (00 to 99) Page 5 147
- AMP ENVELOPE 149
- MOD 1 – MOD 6 152
- Modulation Source Page 1 153
- Modulation Destination Page 2 155
- Gate Mode (Off or On) Page 4 155
- Quantize Mode (Off or On) 156
- PITCH LFO 157
- Delay (00 to 99) Page 3 158
- FILTER LFO 159
- TRACKING GENERATOR 162
- Tracking Input Page 1 163
- SPECIAL PROGRAMMING FUNCTIONS 169
- MIXPROG EDIT” appears 171
- A WORD ABOUT THE QS CD-ROM 173
- USING PCMCIA EXPANSION CARDS 174
- ❡ Press [STORE] 175
- ① Press [ PAGE] twice 175
- CARD STORAGE RAMIFICATIONS 177
- MORE ABOUT SRAM CARDS 178
- SRAM CARDS AND MIX MODE 178
- TROUBLESHOOTING 179
- RECOVERING FROM A “CRASH” 180
- RE-INITIALIZING 180
- Appendix A — Trouble-Shooting 181
- CHECKING THE SOFTWARE VERSION 182
- MAINTENANCE/SERVICE 182
- OBTAINING REPAIR SERVICE 183
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