Alesis QS7.1 Manuel d'instructions Page 11
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- Table des matières
- DEPANNAGE
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
Setup & Connections: Part 1
QS7.1/QS8.1 Reference Manual 11
recording deck, lower the input level controls on those units until they are no longer
clipping.
AUDIO CABLES — SELECTION, ROUTING,
AND CARE
The audio connections between your QS and the rest of your studio are your music’s
lifeline, so make sure you use high-quality cables. These should be low-capacitance
shielded cables, with a stranded internal conductor and a low-resistance shield. Avoid
cables with solid internal conductors.
Quality cables cost more, but they are worth it. If you want to the lowest possible noise
and the best possible sound, there is no other way to go. As for what to do with them
when setting up, here are some basic mistakes to avoid:
• Do not bundle audio cables with AC power cords. If you do, the audio cables
will pick up hum from the AC line.
- INTRODUCTION 2
- HOW TO USE THIS MANUAL 2
- MANUAL CONVENTIONS 3
- Unpacking and Inspection 4
- CONTENTS 5
- Table of Contents 8
- SETUP & CONNECTIONS 9
- CONNECTIONS 10
- AND CARE 11
- BASIC MIDI HOOKUP 12
- DIRECT COMPUTER LINK 15
- PCS AND COMPATIBLES RUNNING 16
- MACINTOSH 16
- PEDAL AND FOOTSWITCH HOOKUP 17
- 48 KHZ IN 18
- OVERVIEW 20
- THE EDIT MODE BUTTONS 21
- THE DISPLAY 22
- THE PLAY MODE BUTTONS 23
- THE SELECTION BUTTONS 23
- PROGRAMS, MIXES, AND BANKS 25
- Overview: Part 2 26
- WHAT'S A BANK? 27
- THE PERFORMANCE CONTROLS 28
- PCMCIA EXPANSION CARDS 30
- FIRST SESSION 31
- Part 3: First Session 32
- PLAYING PROGRAMS 33
- PLAYING MIXES 34
- FINDING OUT WHAT PROGRAMS ARE 35
- IN THE MIX YOU ARE PLAYING 35
- TRANSPOSING THE KEYBOARD 36
- PERFORMANCE TRANSPOSITION 37
- BASIC OPERATION 38
- Part 4: Basic Operation 39
- COPYING EXISTING PROGRAMS AND 40
- USER BANK 40
- …OR TO A NEW LOCATION ON A 40
- CARD BANK 40
- STORING ALTERED MIXES TO THE 41
- USER BANK (OR TO A CARD) 41
- COMPARE MODE 42
- PLAYING SEQUENCES FROM A CARD 43
- THE GLOBAL SETTINGS 44
- (AND HOW TO CHANGE THEM) 44
- EDITING GLOBAL PARAMETERS 45
- PAGE 1 — MASTER PITCH 45
- PAGE 2 — MASTER TUNE 46
- PAGE 4 — KEYBOARD VELOCITY 46
- PAGE 5 — TRANSPOSE 47
- PAGE 6 — KEYBOARD MODE 47
- PAGE 7 — GENERAL MIDI 48
- PAGE 8 — CONTROLLER A # 48
- PAGE 9 — CONTROLLER B # 48
- Controller 013 49
- PAGE 10 — CONTROLLER C # 50
- PAGE 11 — CONTROLLER D # 50
- PAGE 12 — PEDAL 1 CONTROL # 50
- PAGE 13 — PEDAL 2 CONTROL # 50
- PAGE 14 — MIDI PROGRAM SELECT 51
- PAGE 15 — INPUT/OUTPUT MODE 51
- PAGE 16 — MIDI OUT MODE 52
- PAGE 18 — CONTROLLER A-D MODE 52
- Basic Operation: Part 4 54
- WHAT WE’LL COVER HERE 55
- THE POWER OF MIX MODE 55
- USING AN EXTERNAL SEQUENCER 56
- SELECTING THE KEYBOARD MODE 57
- MIDI PrgSl: OFF 58
- MIDI PrgSl: ON 58
- MIDI MixSl: CH 1-16 59
- MAKING IT HAPPEN 61
- Part 5: MIDI 66
- EDITING EFFECTS 67
- ENTERING EFFECTS EDIT MODE 69
- FROM PROGRAM MODE 69
- FROM MIX MODE 69
- SELECTING FROM AMONG THE 70
- TO ANOTHER 73
- 6) Press [STORE] 74
- EFFECTS, PROGRAMS, AND MIXES 75
- CONFIGURATION #1: 1 REVERB 76
- HOW “1 REVERB” IS ARRANGED 77
- CONFIGURATION #2: 2 REVERBS 78
- HOW “2 REVERBS” IS ARRANGED 79
- CONFIGURATION #4: 1 REVERB+EQ 81
- ROUTING SOUNDS OR PROGRAMS 83
- THROUGH THE EFFECTS ONLY 83
- SETTING EFFECT SEND LEVELS 84
- IF THE SEND INPUTS CLIP… 84
- Basic Operation on page 35 85
- LO EQ FREQUENCY 86
- LO EQ GAIN 86
- HI EQ FREQUENCY 86
- HI EQ GAIN 86
- [60] — MOD 87
- MOD1 DESTINATION 88
- MOD1 LEVEL 89
- MOD2 SOURCE 89
- MOD2 DESTINATION 89
- MOD2 LEVEL 89
- ONFIGURATIONS 3 AND 5 ONLY) 90
- HORN LEVEL 92
- [80] — PITCH 93
- RESONATOR TUNING 98
- RESONATOR DECAY 98
- [90] — DELAY 99
- Part 6: Editing Effects 100
- [100] — REVERB 101
- INPUT BALANCE 102
- REVERB INPUT LEVEL (SEND 1) 103
- REVERB PARAMETERS 104
- PRE-DELAY TIME 105
- PRE-DELAY MIX 105
- INPUT FILTER 105
- LOW DECAY/ HIGH DECAY 106
- DIFFUSION 106
- Diffusion parameter 107
- OVERDRIVE TYPE 108
- OVERDRIVE THRESHOLD 108
- OVERDRIVE BRIGHTNESS 108
- OVERDRIVE BALANCE 108
- [120] — EFFECT MIX 109
- REVERB LEVEL 110
- LEZLIE LEVEL 110
- OVERDRIVE LEVEL 110
- EDITING MIXES 111
- MIX EDIT MODE 112
- NDERSTANDING THE EDIT BUFFERS 113
- EVEL SETTING FOR EACH PROGRAM 114
- KEYBOARD/MIDI 116
- CONTROLLERS 117
- SETTING THE RANGE 118
- NAMING A MIX 118
- EDITING PROGRAMS 119
- HOW THE QS GENERATES SOUND 120
- PROGRAM SOUND LAYERS 120
- QS SIGNAL FLOW 121
- THE VOICE 122
- LOWPASS FILTER 122
- ABOUT MODULATION 123
- ABOUT SIGNAL PROCESSING 124
- DRUM MODE 125
- Part 8: Editing Programs 126
- STORING YOUR EDITED PROGRAMS 127
- PROGRAM EDIT FUNCTIONS 128
- Sound Enable Page 1 129
- Sound Type Page 2 129
- Sound Page 4 130
- Editing Programs: Part 8 131
- QS7.1/QS8.1 Reference Manual 131
- Velocity (-99 to +99) Page 3 137
- AMP/RANGE 139
- QS8.1 Keyboard Range 141
- Program Sound Range 141
- PITCH ENVELOPE 143
- Delay (00 to 99, Hold) Page 5 144
- Level (00 to 99) Page 10 145
- FILTER ENVELOPE 146
- Delay (00 to 99) Page 5 147
- AMP ENVELOPE 149
- MOD 1 – MOD 6 152
- Modulation Source Page 1 153
- Modulation Destination Page 2 155
- Gate Mode (Off or On) Page 4 155
- Quantize Mode (Off or On) 156
- PITCH LFO 157
- Delay (00 to 99) Page 3 158
- FILTER LFO 159
- TRACKING GENERATOR 162
- Tracking Input Page 1 163
- SPECIAL PROGRAMMING FUNCTIONS 169
- MIXPROG EDIT” appears 171
- A WORD ABOUT THE QS CD-ROM 173
- USING PCMCIA EXPANSION CARDS 174
- ❡ Press [STORE] 175
- ① Press [ PAGE] twice 175
- CARD STORAGE RAMIFICATIONS 177
- MORE ABOUT SRAM CARDS 178
- SRAM CARDS AND MIX MODE 178
- TROUBLESHOOTING 179
- RECOVERING FROM A “CRASH” 180
- RE-INITIALIZING 180
- Appendix A — Trouble-Shooting 181
- CHECKING THE SOFTWARE VERSION 182
- MAINTENANCE/SERVICE 182
- OBTAINING REPAIR SERVICE 183
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